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XXX-rated slapstick comedy about bodies already mashed into paste contorting further in a poignant attempt to climax. Pratap works wonders in these comics that I cannot describe without reducing; at risk of hyperbole his art simply has to be seen to be believed. The most exciting book I read this year.
A short and sweet 16-page musing on the soul, motherhood, the psyche and existence. The story is a confession: Philippa admits to being an alien parasite hosted in a human body, observing life here on earth. Perhaps it’s a metaphor for how motherhood can take away or alter one’s perception of self, with Philippa talking about feelings of detachment, of becoming a vessel for childrearing? Perhaps. I don’t usually read so deep into minicomics, happy to just skim along the surface, and the surface of this one is great too. The book feels like it was painted at the kitchen table and it perfectly captures the chaos of life with small children and the existential feelings that creates. You should definitely read it if you get the chance. Perhaps I’ve made it sound more highbrow than necessary, it’s just a joy to read.
Another great action comic about bodies in motion. Here it’s teenagers playing roller derby that powers the plot, but we also get to see these teens drunk at house parties, fighting with grandparents, and going out for Mexican food. It all pulses with life beyond the field of combat. As someone who prefers movies to TV shows, it’s rewarding to see this sports manga subject matter handled with the density and economy of American self-published comics, where you have to account for every page.
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Jedidiah Jenkins is a farmer-but his cash crop isn’t corn or soy. Jed grows fast-healing, plug-and-play human organs. Lose a finger? Need a new liver? He’s got you covered. Unfortunately, strange produce isn’t the only thing Jed’s got buried. Deep in the soil of the Jenkins Family Farm, something dark has taken root, and it’s beginning to bloom. From ROB GUILLORY, Eisner-winning co-creator and artist of Image Comics’ CHEW, comes a new dark comedy about science gone sinister and agriculture gone apocalyptic. Nature is a Mother.
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Welcome to Friday Night Previews, where we attach snarky headlines to previews of next week’s comics and call it “journalism.” In Robin #10, in stores Tuesday from DC Comics, Damian Wayne must fight his own great grandmother! Check out the preview below.
Duqenne’s fiercely determined performance drives every frame, as the restless young Rosetta takes on challenges that no one — let alone a child — should ever have to face, such as securing her next meal or making sure that she and her mother have running water. Eventually, her learned mistrust of other people leads her to betray the one friend she has in an effort to steal his job. While there’s still the faintest light of humanity left in Rosetta, much of it has been pounded out of her; the film opens as she’s being fired from a factory job from which she has to be dragged out kicking and screaming, and it ends with her in much the same state. “Rosetta” set the tone for the vérité Neo-realism that would become the Dardenne brothers’ signature, and its desperation traces a clear throughline that connects it to later work like 2014’s “Two Days, One Night,” which likewise dwells on the irremediable toll that job insecurity can take on a person. “Rosetta” is the much darker of the two movies, and yet it clings to the last shred of hope with a strength that has yet to loosen its grip.
To best capture the full breadth, depth, and general radical-ness of ’90s cinema (“radical” in both the political and Teenage Mutant Ninja Turtles senses of the word), IndieWire polled its staff and most frequent contributors for their favorite films of the decade. We asked for the movies that had them at “hello,” the esoteric picks they’ve never forgotten, the Hollywood monoliths, the international gems, the documentaries that captured time in a bottle, and the kind of blockbusters they just don’t make anymore.
